World Music

Who can turn down a happy Nick Cave, a female tribute to Willie Nelson, soundscapes at its loveliest, blues at its purest and world music at its most interesting? Together with pop, rock, jazz, folk, country and everything else from five continents that I have found hidden in the Spotify vaults. Including a true classic and a not-so-classic fifty year old release. So enjoy!

If you want to go straight to the list, follow the Short List below. If you miss tracks from previous blog posts, click on the The Long List. And if you want to listen to a specic reviewed album and suggested single, click on the title.

The Short List: New Tracks

The Long List: Previous Tracks

New Albums

The Lemon Twigs: A Dream Is All We Know

Brian and Michael D’Addario, the brothers behind pop sensations The Lemon Twigs, are back with a new album, filled to the brim with enthusiastic new pop music, sharing the style of Beach Boys and Beatles and other classic bands. A Dream Is All We Know is not as faultless as last year’s Everything Harmony, but most albums recorded this year would fail when compared to that classic.

Nala Sinephro: Endlessness

Jazz virtuoso Nala Sinephro has created an album of soundscapes for you, an album you could easily turn to when you need some space in life and just want to get away from it all. The Guardian calls it «mystical jazz», and you may choose to listen carefully to all the wonderful turns of the music, or just let it flow all over you.

Terje Formoe: Et rop om kjærlighet

Terje Formoe has for decades thrilled children and parents alike with his amazing theatre and film Captain Sabertooth universe. I have had the pleasure of cooperating with him as co-producer for one of his films. But Terje is also a sensitive and creative composer and singer of pop and folk, in Norwegian. His latest album is by far his best, with more intricate melodies and personal lyrics than every before.

Orla Gartland: Everybody Needs A Hero

Irish Orla Gartland is back with another energetic and oh-so-sophisticated album, her second. Gartland has, however, been at it since she was 14, when she started posting songs on YouTube. These days we are definitely listening to a mature, full-fledged artist, a great songwriter with her own cheeky and inimitable style.

Lady Gaga: Harlequin

Another artist who is totally in control of her own career is Lady Gaga. Her musical versility is well-known, from electropop to jazz. She is the manifestation of what this blog is all about: don’t limit yourself musically (or in any other way, for that matter.) Harlequin is a playful album of standards, accompanying the motion picture Joker: Folie à Deux, with a curious collection of songs, from When The Saints Come Marching In to That’s Life. I enjoyed every second of it.

Sarah Blasko: I Just Need To Conquer This Mountain

Sarah Blasko performs pop music for grown ups, there are no frills around her music. It is serious and performed with broad strokes, often with elaborate orchestra arrangements and with an intensity that is infectious. Australians love their Blasko; it is about time the rest of the world get a proper sense of this unique artist.

Tami Neilson: Neilson sings Nelson

Let’s take a quick trip across the Tasman Sea to New Zealand, there we’ll find Tami Neilson, a truly versatile singer, mastering a number of musical genres equally well. She is a great admirer of Willie Nelson (who isn’t) and decided to record an album with his songs. The result is remarkable and shows off the skill and talent of both artists.

Ollee Owens: Nowhere to Hide

When you enter Ollee Owens’ web site, her pottery and jewellery are offered side by side to her latest album. There’s no hypocrisy about Owens, what you hear is what you get. Nowehere to Hide offers true and uncomplicated blues and spirituals performed in a pure form, like it was supposed to.

Mariama Ndure: Rituals

This album offers true world music. Mariama Ndure is a Norwegian artist born to Gambian parents, and she brings all her influences from her two cultures into this highly wide-ranging, but oh so personal album. I only knew Mariama from her children’s concerts with my daughter Karoline. Listening to Rituals I was taking into a whole new universe of African folk, modern jazz, and even poetry.

Eliane Elias: Time and Again

Eliane Elias was considered a wonderkid when she started performing as no more than a child. Now she is 64 and has released more than 20 albums, both as a singer, a pianist and band leader, sometimes all of it at the same time. Her full, laid-back voice is an invitation into Brazilian and Latin jazz, and her latest album shows off all her strengths and why I just never tire of the bossa nova.

Nick Cave and the Bad Seeds: Wild God Australian artist Nick Cave hasn’t always been a performer of happy music. And one could be fooled by his claim that Wild God was written and performed during a truly happy period for him and his band. «We’ve all had too much sorrow, now it is time for joy.» he sings on «Joy». And I am converted. In fact, I keep listening to this remarkable album, and it actually makes me, yes, happy, despite its darker tones.

Basia Bulat

Baby

pop/folk

Michelle Pollace

Be Right Back

Latin jazz

Adam Douglas & Darling West

Better off by the end of the Year

Christmas Pop

The Sums & Richard Hawley

I’m Just a Mouse

Rock

dondrea

Northern Roots

Indie

St. Vincent

Pulga

Rock

Ashe & Suki Waterhouse

Pushing Daisies

Pop

Annprincess

RunAway

Pop

Knut Anders Sørum

Stjerneskudd

Christmas Pop

Ringo Starr

Time on My Hands

Country

Sade

Young Lion

R & B Ballad

Radka Toneff & Steven Dobrogosz: Fairytales

Like too many other young artists, Radka Toneff died very young. She managed to record a number of albums before she died, Fairytales being the most famous and with the broadest reach. Steve Dobrogosz has continued to record, as listeners of this blog know well. Fairytales was for me the gateway to songs like Moon is a Hard Mistress and My Funny Valentine. Radka Toneff’s vulnerability shines through her renditions, and nobody can emulate her performance in my view.

Bay City Rollers: Rollin’

What has been amazing to discover going back 50 years to no. 1’s at that time, is how many releases really have withstood the ravages of time. Rollin’ by the Bay City Rollers is not one of them ( and the same goes for the cover photo). Still, they were incredibly popular among the youngest listeners with their chewing gum pop. I have left a few songs in the playlist; it is still pop music history.

Yesterday Once More

The Short List: New Tracks

The Long List: Previous Tracks

New Albums

No, it is not Don Henley of the Eagles, it is Dylan LeBlanc from Louisana, with a concept album – rare these days, Coyote, a story of a man on the run. It was not the story itself that drew me to this album, but the pure quality of the music, an exceptional country rock album that reminds me of Eagles in more ways than the vocals.

Great songwriting is the trademark of Real Estate’s 6th album Daniel as well. Although some of the tracks are a bit bland, most of the album is enjoyable, with its soft rock feel, melodic and sunny.

Blog followers know I am a fan of Gaby Moreno, even when she lacks a certain direction, like on her new album, Dusk. At least you’re never bored, as Gaby jumps from latin to pop to rock and back, and she does it all in style, with her warm and expressive voice, whether she sings in English or Spanish.

There’s a bit of direction confusion on Rina Sawayama’s second album as well, Hold The Girl. But as with Moreno, perhaps it doesn’t matter that much. I am at least glad she has added more ballads and less run-of-the-mill r&b this time. It is a daring move, she could easily be up there with the Lady Gaga crowd, but like Gaga she refuses to stay on track. I will keep listening.

There is considerably less punch in Kai Warrior’s voice, and that’s the point. The songs on Everything I Know were mostly written in their bedroom and sounds like it, but they are lifted by a band that surrounds and embraces the fragile songs.

Bombay Bicyle Club from England has released a new EP, Fantasies, a happy album with catchy tunes and great harmonies.

In the end it always does is the name of The Japanese House’s album of 2023, and she (yes, her real name is Amber Mary Bain) has rerecorded some of the songs on ITEIAD Sessions, including a unlikely and different version of Super Trouper by ABBA, defintely worth listening to.

Another artist that performs as a band is Alynda Segarra, aka Hurray for the Riff Raff. Although the theme of The Past is Still Alive is quite sombre, about growing up under difficult circumstances, the music is feisty and positive indie with a touch of Americana.

Gruff Rhys of Super Furry Animals has issued nearly as many solo albums as with his more famous band. On his latest, Sadness Sets Me Free, the songs are again built around his dark and introvert voice, with a calming effect, at least on me. But if you’re looking for fireworks, go elsewhere.

We end this month’s album reviews with three albums that defintely look back at yesterday. Nouvelle Vague is a French band specializing in covers of New Wave music but with a very different take. They could have fitted right in at a night club with music that wouldn’t be there otherwise. Should I Stay or Should I go contains tracks that extend from the interesting to the bizarre.

Rod Stewart and Jools Holland’s brilliant big band stay on the rails when recreating some of the great songs of the big band and rock’n’roll era on Swing Fever. No surprises here, just hipswinging, delightful rhythms, with Stewart’s crooner voice at its best.

Joe Jackson goes one giant leap further, flawlessly recreating the music hall sound on What a Racket!, even creating an alter ego in Max Champion, a performer from that era. I love artists who allows themselves to leave the safe area that have created their fame. Jackson had a number of major pop hits as far back as in 1979, like Is She Really Going Out with Him.

New Singles

I have put a lot of enjoyable singles in the jukebox for you, from Florence + The Machine’s almost hypnotic White Cliffs of Dover to Walter Trout and Beth Hart’s power ballad Broken, with a guitar solo the way they used to make ’em. And the rest covers more genres than you can name: ballads, classic piano, world music, country, rock’n’roll, latin… I’ll stop there. Just jump in.

Always Be my Man  – Billy Porter & Luke Evans

Rhapsody in Blue – Richard Galliano

Capricorn – Vampire Weekend

Everybody’s Gone To War – Nerina Pallot

Hello Radio – Aden Foyer

Is There Still a Light On? – Adam Melchor

Judge Tenderly of Me – Anne Fagermo & Dag Erik Oksvold

Los lanbones – Aristides Ramirez

Next Time Around – Liam Kazar

Northern Boy – Ruby Sue

Pt. 3 Linger in Silence – Graham Reynolds & Marta Del Grandi

Rájás – Kajsa Balto

Sister’s Coming Home/Down At The Corner Beer Joint – Tami Neilson & Nicky Diamonds

Waltz for You – Andreas Ihlebæk

Why Don’t They Choose Me? – Michelle Locket

You Should Run – Missy Higgins

The Classic

One of my favourite singers, Kirsty MacColl, recorded Tropical Brainstorm in 1999. The songs had a true Cuban/Latin feel, but the lyrics were feisty, funny and literate, mostly about men who didn’t match up to MacColl’s standards. Like with all albums I call classics, I never tire listening to Tropical Brainstorm, but always with a certain sadness of what could have been. Kirsty MacColl was killed only months after its release, by a speedboat in Mexico while out swimming with her two sons. She probably saved her son’s life by pushing him out of the way, but died instantly after being hit by the boat. Because this album turned out to be her last, it is even more precious to me.

1974

I wrote about this amazing album in the intro. But even Singles 1969-1973 brings out a certain sadness in me when I listen to it, because Karen Carpenter, like Kirsty MacColl, also suffered a premature death, a heart failure at 32 following a long fight with anorexia, probably caused by dealing with fame. Richard’s career as a superstar also in effect ended with her death, although he continues to perform and produce.


I can’t get Turn the Lights Back On out of my head, so it’s abolutely this month’s ear worm, the first release from Billy Joel in 17 years, and I would argue one of his best songs ever, co-written with Freddy Wexler. It is an amazing, well-written ballad that feels true and real, whatever meaning you decide to give it. The video, directed by Wexler, is equally amazing, using AI to recreate Billy Joel from the 70s (when I saw him perform) the 80s, the 90s and today.

It’s truly Yesterday Once More.

Remnants of ’23

The Short List: New Tracks

The Long List: Previous Tracks

New Albums

Michael Nau’s Accompany, reviewed by The Line of Best Fit «Laidback sensibility»

Australia’s Middle Kids: Bend, reviewed by Pitchfork, «a band for the people».

Energetic young rock from Pip Blom, Bobbie, reviewed by Album of the Year (AOTY) «Carefree synth pop»

Jazz group Come Shine’s return after many years, with Coming Home, reviewed by Jazzlandrec, «Come Shine is always on the hunt for a new way into an old song, finding small keys to unlock big doors»

Jonathan Wilson’s new album Eat the Worm, reviewed by No Depression «Fearlessly experimental and deeply immersive, Eat the Worm is the distillation of a true artist in all his wacky, visionary glory.»

Randi Tytingvåg Trio’s Hjem (Home), Norwegian folk/Americana, reviewed in Norwegian by Stavanger Aftenblad. «Do you need comfort? Try this.»

Chanteuse Emeli Sandé’s new album How Were We To Know, reviewed by Pop Passion, «Full of fresh new sounds, How Were We To Know mixes elements of dance, reggae, and gospel music with commercial pop.»

The National is already out with a suprise new album Laugh Track, reviewed by The Guardian, «it’s challenging to write about middle-class malaise and make it sound so gripping»

Delara’s Shahrazad, reviewed by Intersect, «a rising multifaceted artist with a rich Iranian heritage and a global perspective, has created a distinctive musical identity and emerged as a local sensation.»

Tate McRae’s THINK LATER, reviewed by Irish Times, «not one track you wouldn’t want to hear again.»

Sondre Lerche’s Understudy, reviewed in Norwegian by Puls, «a cover album that in every way makes it an original Sondre Lerche album. Overwhelmingly, overwhelmingly good.»

Finally Krissy Mary’s Americana album, Virago, reviewed in Norwegian by Aftenposten, «The best album you missed last year came from Krissy Mary.»

New Singles

Almost Like Being In Love – Rod Stewart & Jools Holland

Blind Then – HILLARI

Bonnie Michelle – The Last Hurrah! & Maria Due

Easy – May Erlewine & Theo Katzman

Inga Sorger – Loulou LaMotte

Kameleon II – Daniela Reyes

Kiss Ur Face Forever – Orla Gartland

Lawns – Club des Belugas & Thomas Siffling

Oral – Björk & ROSALÌA

The Parting Glass – boygenius & Ye Vagabonds

Siete Lágrimas – Lau Noah & Cécile McLorin Salvant

Slice – O.

SORRY – Ingrid Jasmin

Tell Me What You Sell Me – Niclas Frisk & Nina Persson

There’s Always Home – Gaby Moreno

There Will Come A Day – Celeste

Waterfall (I Adore You) – Yebba

When You’re Smiling – Stephen Bishop

Your Blood – AURORA

The Classic

Gary Brooker of Procul Harum’s amazing solo album, No More Fear of Flying.

1973

Emerson, Lake & Palmer. One of the most distinct sounds of the pop/rock era. Brain Salad Surgery made it to the top in 1974.

Be careful, «Don’t Do Me Good» will stick in your ears…..

Old Fogies Ride Again

The Short List: New Tracks

The Long List: Previous Tracks

New Albums

The opening album, The Astronomer’s Dream (fun fact: the title is taken from a live animation silent movie from 1898) by Norwegian artiste extraordinaire Bjørn Tomren, takes us into his peculiar musical universe. Tomren went from obscurity to fame two years ago, when he won the contest The Ultimate Entertainer, thrilling the audience with his mixture of crooning, yodeling and Mongolian throat singing (no, I’m not kidding). The album is less iconic than it sounds, you might enjoy it even if throat singing is not your thing.

Remaining in Norway for a bit more, Team More is a 8 piece band who write and perform well crafted and optimistic pop tunes with strong harmonies and a feel-good attitude throughout. Their new album, Return to the Riverside, does just that: taking them back to their childhood and being raised in a small town.

Harmonies are the trademark of the folk-pop duo Lily & Madeleine as well. The two have created sweet, almost too sweet, pop music before, starting very young. Now they have matured, and Nite Swim is their best album yet.

And finally there’s a proper album from Salvador Sobral, not only random single releases! The Portuguese jazz singer who won Eurovision Song Contest some years ago, has not taken any advantage of the publicity from his strong victory, but have kept touring, recording a single now and then, performing with people he likes. I went to a concert with him a few years back, and it is still among the best stage performances I have ever experienced. But he obviously doesn’t want fame and fortune, and good for him! Timbre is a terrific album, showing off his creamy soft voice and excellent execution. If you enjoy it as much as I do, don’t tell anyone – I don’t think Salvador wants you to do that.

Canadian singer Laila Biali is seeking fame in a more traditional way, releasing an album of covers, mostly, naming it Your Requests. There are some original and interesting takes on songs you probably know. I have picked a bouquet for you.

Can you believe old fogey trumpeter Herb Alpert is 88 years old? This energetic and craftful Wish Upon a Star certainly isn’t giving his age away. The smooth trumpet sound that gave me such delight back in the 70s, is still there, and he has brought other brilliant musicians with him into the studio, plus The American Songbook.

Joe Hisaishi, the brilliant Japanese composer and orchestra director, is a young man compared to Alpert, with his 72 years. He has just released a collection of his compositions for Animé cartoon films together with The BBC Concert Orchestra, and what a thrill it is. It is almost impossible to pick only a section of this album to do it any justice. There are few if any contemporary composers who can rival him.

The Lilac Time (fun fact: name taken from the lyrics to a song by Nick Drake) with the Duffy brothers Nick and Stephen at its centre, seem to aspire to join Salvador Sobral’s club of brilliant unknowns, which they can never be. The dark and poltically heartfelt lyrics and music dominate their latest album Dance Till All the Stars Come Down. No pretenses, just pure audience communication and strong beliefs.

Liverpool’s folk-rock band The Coral has a new album out, Sea of Mirrors, bursting with British folk guitar-based music, lovely songs down to earth, no frills, timeless and mature music.

One ought to leave some space between album releases. Cleo Sol definitely seems to disagree. Not only did she release a new album completely out of the blue in September, two weeks later she released another one, Gold. I blinked, so I missed the first one, thus it is the latter I have added to this month’s playlist, an amazing soul album, eerily beautiful. Now it’s time to «go back» and listen to her previous release, Heaven. Can’t wait. 

Madison McFerrin‘s claim to fame is of course her father, Bobby, (Don’t Worry Be Happy), but more troublesome: a rendition of The Star-Spangeled Banner during a political rally in 2016, supposedly out-of-tune (I have heard it and it is not that bad, but rumours stick). She’s in no way out-of-tune on her new album I Hope You Can Forgive Me, sophisticated pop and soul, lush and with an amzing range in style. Bobby makes an appearance as well.

New Singles

The most talked about single – by far – is the AI-aided Now and Then, labelled a single by The Beatles. And it’s very close so: This is a demo Lennon made but never finished, Harrison did some overlays but left it at that, and McCartney and Starr finished it. The result has all the characteristics of The Beatles, and I’m glad they did it despite the artificial method.

The Latvian band Sudden Lights has released a great Coldplay-like new single, musu milestiba (Our Love).

Three interesting two-person teams this month: Sam Ryder brings us a power balled together with Queen- guitarist Bryan May, and Lady GaGa teams up with Mick Jagger and Rolling Stones on Sweet Sounds of Heaven, while Lucy Schwartz teams up with rising star Jared Palomar on Ghost In My House.

Winner and runner-up in this year’s Ultimate Entertainer in Norway, Odd Renée Andersen and Mari Bella are in the list, a young very promising talent in Bella with a decent pop single, and one of the best blues/rock-voices anywhere on the planet in Andersen, performing My Girl.

Maria Kannegaard would probably have been considered one of the world’s finest jazz pianists if it hadn’t been for a debilitiating psychological disorder. A podcast (in Norwegian, sorry, some of you…) out about the brilliant musician has introduced many to the horror of schizophrenia, but also to the wonderful universe of her piano compositions. A single from her hopefully forthcoming album, Bortimot, is out.

Other interesting singles I want to bring to your attention this month are from Rufus Wainwright, Deacon Blue, Mirändä, The Polyphonic Spree, Julia Jacklin, The Bygones, Emma Schneider and Keaton Henson. Enjoy!

The Classic

Francis Ford Coppola rarely bombed as a director, but «One From the Heart» got a severe beating by most critics when it was released in 1982. It was not a particularly great film, so I think there were some truth to the reviews. The soundtrack, however, was a different matter. I consider it one of Tom Waits‘ best albums, even though it take some getting used to his duets with country singer Crystal Gayle. But when you do get used to it, you might also accept that it is a brilliant choice. The two of them create a peculiar atmosphere together almost like being in a seedy bar somewhere in a big city. I have never heard anything like this before, and never have since.

1973

When Elton John released his album, Goodbye Yellow Brick Road, he was already one of the greatest stars on the planet. It was hard to image he would undo himself after his first albums, but when this double album came out in 1973, it became very clear that he had done just that, and had created something close to a pop masterpiece. I never tired of it, still haven’t, but some of the tracks are so much played even today, that I have tried to focus on the less known songs. But if it is a trip down a yellow memory lane you’re craving, go for the whole album as I did preparing for this blog. Oooh!

Well, next stop is the annual countdown of this year’s best albums. Then, see you over in 2024 for what hopefully will be a great new music year. Fingers crossed!