Even the most hardened of rockers soften, particularly when they get older. In this month’s blog list we’ll be exposed to some of them and listen to the beauty of softness.

Lots of recently released albums are on display for your ears’ content, some you may have heard of, some well-hidden in the inner vaults of the streamers.

This month my blog has been through a slight facelift, I do hope you enjoy the new look and the slightly altered way of presenting the music to you. The links to Spotify are now found in the text itself.

The Short List: New Tracks

The Long List: Previous Tracks

New Albums

This month’s blog title refers specifically to Blur and The National, both bands out with mostly mellow albums, and both with close to career best. I enjoyed Blur when they were playing britpop and rock, they still do, but some of the best tracks on their new album are beautiful ballads. The National have always be dark and moody, they still are, but I have never enjoyed them more than now. The last track of the album, Send for me, is a particularly mesmerizing love song. Both albums are impeccably produced, lovely harmonies and exquisite orchestrations.

I have not yet seen the Barbie movie, but having listened to the album, I get the gist of the story. Most tracks are not worth spending listening time on, but I enjoyed the fun in among others Lizzo’s Pink and a slightly new side of Billie Eilish.

This month’s most bizarre album – in a good way of course – is Because, a collection of gospels and spirituals performed by a countertenor and a jazz pianist, a countertenor being a classical male singing voice with a range of a female mezzosoprano. Reginald Mobley recreates some of the classical spirituals in a way that you just have to listen. Sometimes it is too much, but on most tracks there is a beauty there that I have never before heard. Babtiste Trotignon does his bit to give these songs a completely new coating.

I do like quirkiness, and Joanna Sternberg’s I’ve Got Me offers me more than I bargained for on what feels like a homemade album – in a good way of course. Her voice is raw, edgy, close to the microphone and close to a lived life. Similarly (but still very different) Lola Young invites us into her not so average life on a brilliant new collection. I have been a fan of her since she started recording. It is still beyond comprehension that she does not get more attention than she gets.

Another favorite artist of mine is Ricky Lee Jones. It is a long time since Chuck E was in love, and many of the songs on her cover album go equally far back. Her peculiar, attention-grabbing voice does not fit all the classics on the album, but there are still many interesting gems here.  I have tried to mine the for you.

When I was a student, I was for a brief period lucky to work with Bill Cantos, who has gone on to be a brilliant interpreter of both his own and other artists’  jazz compositions. His work with Burt Bacharach is legendary, and now he has also been involved with another classic artist, Herb Alpert (watch this space), but this month I want you to lend your ears to his solo album, Sensibility, that really shows off both his piano skills, his warm and flexible voice and his perfectionist compositions.

Ben Folds has been in the business as long as Bill, starting out in the early 90s with his own group Ben Folds Five. It is great to have him back, with his first album in 15 years, What Matters Most. This is accessible pop music at its best, piano driven and lush arrangements around his pleasant voice.  And if you like this album, my guess is you will also enjoy the latest from The Lemon Twigs, sweet, melodic, and well-crafted pop music. If you like slightly more edgy and tougher, listen to Paper Sparrows, a trio from Edinburgh, or the highly energetic self-titled album from Cut Worms. I have added spicy songs from both great new albums.

Bruno Major offers a more rounded taste on his third album, pop music heavily soul inspired, with Bruno’s sad voice lamenting about lost love and lost time.

The last album on this month’s list is from Norwegian chanteuse Susanne Sundfør, who is also known for her melancholic music. This is not necessarily the case on her latest album Blòmi, her strongest release to date. Although there are new age elements, poetry readings and such, most of the album is a joy to listen to. She is a rare artist, one of the many Norwegian female artists that has made an impact internationally.

New Singles

Lots of interesting new singles in the playlist! (I have also sneaked in Kris Kristofferson’s homage to Sinead O’Connor, “Sister Sinead”, as a tribute to her from me as well; I was devasted to hear she had left us – more about that later.)

I have added a preview of master pianist Yuja Want’s collection of Rachmaninoff’s greatest, plus new singles from favourites Cigarettes After Sex, Zaz, Daisy Dash, Nellie McKay and Ian Shaw. You can also listen to attention-grabbing and stimulating single tracks from Fountaines D.C., King Princess and Judith Hill.  Actress and singer Bridget Everett of “Somebody, Somewhere” fame (catch that wonderful TV series if you haven’t already!) has released her lovely “Home” and Susanna (of Susanna & The Magic Orchestra) sings with my employer NRK’s own symphony orchestra. Finally, relax and enjoy singer Ashnaa and the smooth Usuru Narambulay.

The Classic

This month’s classic work can be no other than I Do Not Want What I Haven’t Got by Irish superstar Sinéad O’Connor, who sadly left us this Summer. This LP marked in many ways the peak of her career, although she released many brilliant albums afterwards, including her latest album “I’m Not Bossy, I’m the Boss” from 2014.  But I Do Not Want… shows off all her strengths at once, her convictions, her inspiring resilience – she never gave in whatever they threw at her. It hurt, though, and there is a lot of pain visible and audible on the album, both in her lyrics and in her voice. Have we ever had a female singer with a more insistent and yet beautiful voice? I don’t think so. We will never forget her.

1973

1973 was the year many of us brought home the hand of George Harrison, the iconic cover of “Living in the Material World” (perhaps inspiring Madonna’s Material Girl a few years later?). Harrison had made the final break with The Beatles and created his own sound with lots of self-esteem. His Eastern philosophy-inspired anti-materialism flowered, creating memorable songs like “The Light that Has Lighted the World”, “Give me Love” and “Bangla desh”, while “Sue Me, Sue You Blues” showed there were som remnants of old bitter conflicts.

It’s been a while. I know, and to make matters worse (at least for those of you who enjoy reading about the music I have chosen; that may not be all of you), this month’s playlist comes without many details. Still, I can promise you an exciting list of new albums, new singles – and a quite unknown album from the past that I hope you will lend your ear to: Mike Batt’s 1980 masterpiece «Waves». I have also included a few tracks from Led Zeppelin’s 1973 album «Houses of the Holy», celebrating its 50th anniversary.

I apologize for the lack of information. It has been a very busy three months, and I thought it would be better to publish the new music to you rather than delay it further, so you can refresh your playlist and liven up what remains of your holiday.

Petter’s Short List contains all music reviewed in this blog post. Click here to listen and/or subscribe. The playlist changes every month.

Petter’s Long List contains all music previously reviews from December 2021 and onwards. Click here to listen and/or subscribe. The playlist is extended every month.

You may also listen to the singles and albums reviewed by clicking on the covers.

Tracks reviewed before December 2021 are available in Petter’s Blog Archive, found here.

Paul McCartney & Wings met their critics ,who argued that all substance had vanished from Macca’s music, by writing and performing a homage to the love song, Silly Love Songs, that has become on of the classic love songs of all time (listened to more than 65 million times on Spotify alone).

The song popped up in my head when preparing for this month’s blog playlist, because love is still the #1 ingredient in so much of contemporary music, inspiring the pop geniuses and the hit seekers alike. Perhaps we the audience need the love song more than ever, countering the sorry state of things around us.

So lower your guard and let the love flow, from the brilliant classic albums I have added this month to our annual look at the best of Eurovision – to a revival of the romantic composer Chopin.

Petter’s Short List contains all music reviewed in this blog post. Click here to listen and/or subscribe. The playlist changes every month.

Petter’s Long List contains all music previously reviews from December 2021 and onwards. Click here to listen and/or subscribe. The playlist is extended every month.

You may also listen to the singles and albums reviewed by clicking on the covers.

Tracks reviewed before December 2021 are available in Petter’s Blog Archive, found here.

Be the Wheel – Theo Katzman & 10 Good Songs

Californian Theo Katzmann knows how to write a song, and on his new album he has almost overdone himself, one catchy pop song after another, and with a clean backing track letting his voice and his lyrics dominate.

Bouquet Champêtre – Fleur

We are in a time capsule, taken back to the French chanson tradition of the 1960s by young Dutch singer Fleur. This bouquet of flowers is charming throughout, catchy tunes with just the right nostalgic touch.

Chopin: Piano Works – Anastasia Yasko

Frédéric Chopin wrote some of the most wonderful piano music ever composed. Young Russian pianist Anastasia Yasko, now reciding in Austria, has picked some of the (for me) lesser known pieces. Yasko makes thise beautiful and imaginative pieces come to life.

Desire, I Want To Turn Into You – Caroline Polachek

Competent vocalist Caroline Polachek has released an amazing collection, bursting with energy, imagination and variety. Although she has herself contributed to artists churning out bland contemporary pop music, there is nothing remotely bland on this album.

Gullokk – Solveig Slettahjell

One of jazz’ finest contemporary vocalists, Norwegian Solveig Slettahjell, has released a collection of cross-over songs, from Grieg to Swedish folk songs, and even for listeners who can’t understand the lyrics, I must assume ther beauty of the music and her velvety voice must send shivers down the spine of every listener. Another album that proves that there is no need to pour heavy arrangements on artists and songs that can handle the beauty of nakedness.

Living It Up – The Real Thing

A few months back I introduced The Real Think’s 90s album as a true classic. Now they’re back, sadly missing some band members, but with substitutions that really fits in with the groove of the remaining members. I know jazz isn’t for everybody, but I find it hard to understand those who can’t find anything enjoyable in this foot-thumping exercise.

Rainbow & Monsters – Maggie

Maggie is a Norwegian-Serbian young singer, releasing her first EP, some good and powerful pop songs, a bit on the bland side, but that goes for many new artists that tends to copy what they hear from the top 40s of the world. Still there is something extra on Rainbows & Monsters that lifts the collection a bit above the rest.

The Reset – Macy Gray & The California Jet Club

The actor, activist and musician Macy Gray has been with us for decades. With her new album The Reset she has brought her activism with her into her music in more ways than one. The themes of the songs are at times political statements, including the album cover – she has argued for a redesign of the American flag, by adding colours to the stars and adding two more, for Washington DC and Puerto Rico. It is a terrific and thought-provoking album.

Strange Dance – Philip Selway

Radiohead’s drummer Philip Selway has many strengths as a songwriter and lyricist, but not necessarily as a singer. As with another famous drummer in a famous band, Selway deserves, like Ringo (and here ends the comparison), to be listened to. Strange Dance offers many sad love songs with beautiful arrangements.

Voice Notes – Yazmin Lacey

Yasmin Lacey’s music is hard to pin down. She effortlessly jumps between genres and mesmerizes us with her peculiar but interesting voice, with funny, quiky lyrics and interesting musical leaps.

I am offering you a true smorgasboard of singles this month, many of the with a promise of new music soon to come.

So, readers and listeners, back to the annual exercise of listening to this year’s Eurovision Song Contest entries. I am not apologizing for taking you on this trip, because every year there are songs there that may not win – probably won’t win – but may be worth listening to anyway. This year there are no obvious winner, although both Sweden and Ukraine seem to be favourites. Loreen from Sweden takes part with a song that might become a hit, the rest will probably not make it even as far as the final. My slight personal favourite is Austria, with a quirky song about Edgar Allen Poe (!).

PS. I should tell you that I listen to all songs without knowing which country they represented, so no bias here…DS.

Painted From Memory – Elvis Costello & Burt Bacharach

Not too long ago we received the sad news that Burt Bacharach has left us for good. His catalogue of songs is nothing less than remarkable, perhaps only Paul McCartney can match him in the history of pop music. His unlikely collaboration with Elvis Costello marks in my view the peak of his career. There is not one weak composition om Painted From Memory from 1998, this is pure brilliance. Any emerging songwriter should spend a week deciphering every single track, because song writing never gets better than this. I will never tire of this album.

Billion Dollar Babies – Alice Cooper

50 years ago, in 1973, record buyers made this album go to #1. Many albums from this era still stay with us, hopefully Alice Cooper’s Billion Dollar Babies is not one of them. The truth is I never bought into his weird universe; it is all a sham if you ask me. But to stay true to my promise to give you an historical lesson of what occurred back then, I have carefully picked a few tracks that a remotely playable even in 2023.

Although there are some very-much-contemporary-2023-albums and tracks in this month’s blog playlist, I realize that there is an unprecedented amount of musical back gazing as well, even from contemporary artists like Måneskin and The Lemon Twigs.

Maybe it is not so unprecedented. Artists have always been inspired by more than their contemporary peers. Still, the music business has changed, (for the worst in my opinion – sorry), since Elton John released his dazzling Piano Player album 50 (!) years ago. Would he have been able to have it released today? Would it have become first a hit, then a classic? My guess is that it would have been released, but I doubt it would have found its way into every playlist in the world, like it did in 1973. It is not 2023-mainstream enough.

Nostalgia is not only an unhealthy craving for the past. It is also a sign of an arid present. Still, there are oases to be found.

Welcome to this month’s playlist.

Petter’s Short List contains all music reviewed in this blog post. Click here to listen and/or subscribe. The playlist changes every month.

Petter’s Long List contains all music previously reviews from December 2021 and onwards. Click here to listen and/or subscribe. The playlist is extended every month.

You may also listen to the singles and albums reviewed by clicking on the covers.

Tracks reviewed before December 2021 are available in Petter’s Blog Archive, found here.

French chanteuse Gabi Hartmann follows in the tradition of many, performing songs in a wide spectre of genres – and in many languages. Madeleine Peyroux, Melody Gardot and Zaz ought to watch out.

American singer Samia follows in the footsteps of other contemporary artists as well, the likes of Billie Eilish, with very personal lyrics and a sad voice. Still, there is something quite original in Samia’s music, some of the arrangements are bordering on being a capella, and a true vulnerability shines through to the listener.

There are retro music and there’s Rachael & Vilray who recreate the music of the 30s, 40s and 50s to a tee. And nearly all songs are written today by Vilray Bolles himself, even more impressive, because the duo and the exquisite studio musicians make it sound as if we’ve dug out old 78s and played them on granny’s gramophone.

The Scottish indie-band Belle & Sebastian keeps on surprising, with an uncanny ability to turn out great pop songs again and again. They’ve been at it since the 1990s, and on Late Developers they sound fresher and more energetic than ever.

Canadian pop star Carly Rae Jepsen is back with a truly contemporary pop album (and from my first paragraph you know that’s not only a compliment…) But as with Samia above, there is a certain amount of zest and originality in some of the tracks, and a lust for life feeling to the music. I think I have picked some tracks you may like.

If it is originality you want, go no further. The mix of Costa Rican/Spanish/Norwegian background gives us an artist who sound as if she is experimenting, but all she does is dip into her own gene pool and drag out a wonderful mix of flamenco, world music and Norwegian folk.

Is it possible to build a career on an ESC win? Absolutely. ABBA did it. And Italian band Måneskin try to do the same. This is their second album after the win, a rock’n’roll purist dream.

I keep my promise to include a classical album every month. Tine Thing Helseth is a trumpet player, releasing a soft spoken album with some evocative tracks of old and new compositions. An album to fall asleep to – in a good way – far away from marching bands and fanfares that many of you may think about when you see and hear a trumpet.

Bret McKenzie was part of the duo Flight of the Conchords, who you may remember from the hilarious television series with the same name. Now Bret is back, without the comedy and his partner. We are left with an exquisite and well crafted pop album that doesn’t make you laugh.

Only eight singles made the list this month, but your listening pleasure will not be harmed. Listen to Grammy winner Samara Joy, John Lennon’s talented son, The Lemon Twigs with a song that won’t leave your head anytime soon, plus many more.

Re-listening to Elton John’s 50 year old album brought a ton of memories back to me. But it also proved again what an amazing songwriter Elton is, together with his partner Bernie Taupin. Elton reached his creative peak this particular year, the first of two peaks – his Goodbye Yellow Brick Road was just as amazing. I might come back to that later.

How can you match Elton’s album? Well, a different kind of classic was the soundtrack of Alan Parker’s The Commitments, perhaps the best music film ever. An unforgettable story with a soundtrack that rekindled the interest in Soul and Blues for a completely new audience. Andrew Strong was the shining star. Mustang Sally and Try a Little Tenderness became evergreens once more.

Welcome to a new year and to new music found hidden away in the great Spotify vault, mostly among the 20% rarely listened to. I am hunting what I consider great music from artists who are not necessarily on either top 40 lists or focused on by elitist reviewers. (Although occasionally I agree with the reviewers and/or the radio playlists makers, I have to admit…).

Thank you to those of you who give me feedback both on choices and with suggestions, that is so helpful! Some of you have asked me to add more classical music, and as of this month you will find at least one new album from the world of classical. I will also try to add genre to the description of each album, although not every artist is possible to pin down like that, so don’t take the generes too literary – and give albums a chance even if these are labeled with a genre you don’t normally listen to. These albums are in the list for a reason.

I will save some time in preparation by skipping sample tracks for each album and instead add a link directly to the album (Click on the cover) . I have also added covers to the singles, hope you like that.

My column of albums from 50 years ago moves on to 1973, another vintage year.

Petter’s Short List contains all music reviewed in this blog post. Click here to listen and/or subscribe. The playlist changes every month.

Petter’s Long List contains all music previously reviews from December 2021 and onwards. Click here to listen and/or subscribe. The playlist is extended every month.

You may also listen to the singles and albums reviewed by clicking on the covers.

Tracks reviewed before December 2021 are available in Petter’s Blog Archive, found here.

This is a genre I like, but struggle to find great new music. Luke Thomas is a good crooner, but the album has its faults. I have picked som great tracks for the playlist, though.

Polish cellist Maciej Kulakowski performs beautiful pieces by Debussy and Poulenc, but the most interesting part is the cello versions of some of the loveliest pieces ever written for the piano, Gnossiennes by Eric Satie. I still prefer the piano versions, but Kulakowski adds another layer to the music with his cello.

Anna of the North is rightly so from the North, in Gjøvik, Norway. There is very little craziness her, more like cool and summery, I would say. This is easy and uncomplicated pop, but still with a bit of soul.

Finally, Gilbert O’Sullivan is back! Not that he hasn’t released music since his heyday in the 70s, but most of the 15+ albums since then has been a bit disappointing. With Driven he shows off his quality, arguably among his best albums ever. I was really taken back to the first three albums and recognized the playfulness and song writing creativity from these classics. He is 75 now, just comes to prove that if you stay at it long enough….

Last blog list included the classic piano jazz album from Jan Johanson, an album that introduced jazz to a wider audience. If you enjoyed what you heard, you will most likely enjoy this evocative and oh so beautiful album from bassist Terje Gewelt and his pals.

This is rare album to be released these days, an instrumental album like we haven’t really heard since Mike Oldfield, Santana and others who made soundscapes, and played with and developed musical themes. This is as much a producer’s album as a musical artist’s.

Josephine Oniyama is a powerful singer-songwriter who made waves a decade ago with her first releases. Now she’s back with equally powerful songs that hits you with force. She jumps between different genres, but her songs are still easy to recognize as truly hers.

Jay-Jay Johanson was on my top 10 list in 2021, his alluring voice, ever interesting rhythms and contemporary productions are something I keep coming back to. I was disappointed by his 2022 cover album Silver Screen, but now all is forgiven. He is definitely best when he performs his own stuff.

Talk about an alluring voice: another great crooner is Paal Flaata, lead singer of Midnight Choir. This is a quite dark and introvert collection, but nevertheless sincere and powerful. The album is mostly filled with covers, but Flaata makes these familiar (and some unfamiliar) songs his own.

Norwegian band Woodheads has released a wonderful album, bringing the rock and pop sounds of 80s and 90s back to life. The album has a fresh live sound to it, as if you are in concert with these guys. The songwriting is equally fresh with no frills.

One of the best latin jazz singers and pianists in the world, Eliane Elias, is out with a new album, this time with more guitars than piano, which in a way quiets down the music to fit with the album title. Elias’ voice is like a massage on the ear drums.

I wouldn’t recommend listening to Japanese Joji if you’re in the middle of a break-up, it will only make it worse. This is not in any way talking this beautiful album down, Joji is an artist with his emotions on the outside, but he is also a skilled singer and songwriter. If you’re listening for Eastern influence on the album, you’re listening in vain.

Is it possible to have a career after (almost) winning Eurovision. Sam Ryder is trying hard and he may just succed. This is a fun and likeable album with one song after another with hit potential. Unfortunately, the producers are overdoing his falsettos, pouring on lyrics filled with platitudes, but particularly the quieter songs are beautiful and well worth listening to. When you have reached space, Sam, get rid of the cool producers and create even more of your own sound.

Some Scandinavian reviewers are trying to coin a new genre, Nordicana, as opposed to Americana. The main difference would only be geographical, a point proven by Norwegian singer Signe Marie Rustad. Her new EP sounds and feels like the best of Americana, down-to-earth, accoustic and silky. Absolutely worth listening to whether your’re in or outside the U.S.

Lots of new singles out, many artists are dipping their toes in the water to see whether you are ready for their upcoming album releases. Great to see – and hear – Beverley Craven, Susanna Hoffs, Mariza, Cigarettes After Sex and William Hut back in the ring.

All tracks are in this month’s blog playlist, or you can click on the singlecover to listen to each one separately.

Melanie Safka may not have liked me to present Garden in the City as a classic album, since it was released against her will by the record company she had just left. But for me this is a true classic, an album I came back to again and again, both to the wonderful covers, like Dylan’s Lay, Lady, Lay and Gershwin’s Somebody Loves Me, and all the original songs written by Melanie. Her voice is mesmerizing and inimitable, making Melanie one of the greatest folk singers of all time.

Can you believe this record is 50 years old? It is still so fresh, with classics like The Right Thing to Do and what is maybe the bst pop song of all time, You’re so Vain. The mystery still lives on of who is the subject of the song. Mick Jagger was for a long time suspect # 1 (and he actually did participate on the record as a back-up singer), but later actor Warren Beatty seems to be the main suspect.

As an afterthought, I wish some of the contemporary female singers would lend their ears to Carly Simon’s effortless and expressive singing style, we would avoid all the horrible sobs and vocal leaps and trills that we are being pestered with today (yes, I am old and grumpy, but I am right.)

As in 2021, my ears have enjoyed themselves throughout 2022. As has become a yuletide custom, I give you a list of the ten albums that I have enjoyed the most in 2022, albums which I have kept coming back to throughout the year. The value of music, as the value of any art, lies in the eye of the beholder, so my list may not necessarily be equal to your list. Still, I hope it inspires many of you to listen to albums you might otherwise have missed.

80% of of all the listening on Spotify is supposedly to no more than 20% of the tracks available. Which means you are probably missing a lot of good stuff. The whole purpose of my blog is to bring to the forefront new music that wouldn’t normally get the attention it deserves. As my logline says: I hunt the best music so you don’t have to. (I have added Metacritic’s total rating out of 100, when available. The fact that only a fraction of the albums are universally reviewed, tells a story of how difficult it is to break through for an artist or an album that doesn’t break the surface. And hopefully proves the point that a blog like mine serves a purpose)

So, on with the show. Below you will find a number of great runners-up albums (in alphabetical order) , followed by my final 10. Click on the album cover, and you will be taken directly to the whole album on Spotify. I have also put together a separate playlist with the top 10 albums, found HERE

Then on to my special favourites. Albums that stood out and that I enjoyed more than anything else I have listened to this year.

So, these are my top ten choices of 2022. (Some of the albums were released in 2021, but reviewed by me in 2022. )

To see how others review the album, I have added quotes from other blogs and publications.

You’ll find a link to the individual albums by clicking on the cover.

«Taken in its totality, I Don’t Know What I’m Doing is a remarkably accomplished feat, one built around Pallot’s personality and energy. Poised and elegant, but authentic and true, the album is a superlative example of what someone can do in the pop genre when they’re focused on the art above all else.»

Quentin Harrison in Albumism.

«Three Dimensions Deep will doubtless make it onto many a Spotify playlist; the record boasts club-ready bops and chill bangers that can please almost any aural palate. When you dig beneath the surface, though, Mark imparts universal wisdom and gives listeners a much-needed moment to appreciate ourselves.»

Clare Martin in Paste Magazine

«After the fantastic opener Dangerous, which pokes fun at Morrison’s status as the pot-stirring, sneering cynic, the rest of the album’s lyrics are obsessed with lying politicians and a brainwashed nation. All good points to discuss, but most of it is just too on the nose… A shame, as the arrangements and playing on What’s It Gonna Take? are tasteful in the extreme and Van Morrison’s voice sounds as good as any time over the last couple of decades.»

John-Paul Davies in Buzz

«Kingmaker is Neilson’s finest record yet, and a strong argument that she might herself be the current king of country music…Kingmaker finds the most gifted singer in modern popular music using her extraordinary voice to elevate and inspire those who are too often voiceless.»

Jonathan Keefe in In Review Online

«..Salvador Sobral is back with the EP «SAL», a work that brings us the talent of Salvador, interpreting all songs on piano in its most naked and stripped form. The EP….has 4 new songs and has an intimate and familiar atmosphere.»

Glam Magazine

«…it may be the most surprising record of his career. It’s definitely one that demands repeat listening and deep dives into the lyrical content as well as the structure of both the songs and the album. While it’s hard to look at a career as long and varied as Lerche’s and call anything a definitive album, Avatars of Love comes about as close as one could expect.»

Tim Sendra in Allmusic

«Though known for her Ella Fitzgerald-esque skill at interpreting songbook standards and French chanson, Salvant has proven herself a literate and nuanced songwriter in her own right. She brings all of these aspects together yet again on Ghost Song, this time adding in more contemporary cover tunes and other folk traditions she hadn’t yet explored.»

Matt Collar in Allmusic

«The bleak but beautiful moments here represent a suave, dignified coda for an artist whose work never quite got the hugs it deserved.»

Uncut Magazine

«At eleven tracks long, Rachel@Fairyland is a mature sonic offering from Morris, and comes teeming with lush vocals, delicately arranged instrumentation and poetic lyricism that offer snapshots into the life and times of the Blackpool native.»

Lana Williams in The Line of Best Fit

«Alegoría is wonderful, evocative, searing, and true; it is Moreno’s first recording to fully showcase her developed sophistication as a singer and a producer, as well as underscore her maturity as a songwriter. Get it.»

Tom Jurek in Allmusic

And as a little treat at the end, here is wonderful Gaby performing «Nothing’s Wrong» from her superb album Allegoría.

Happy new year, everyone, please come back in January 2023 for the first new picks.