Wallace Plays Wallice…

..and of course a number of other known and unknown artists who have issued new music before the end of 2024. ! And since Christmas is coming up, I have added at least one new Christmas album, and a couple of singles to assure your holiday mood. It is a good list to end the year with, if I may say so myself. And in a few days I’ll give you the 2024 Roundup and my own Top 10 list.

You might notice that there is no 50 Years Ago album this month. It shook me to the core to add Bay City Rollers last month, and when the no. 1 album (except Elton John’s compilation album) was by David Essex – and just so unbelievably horrible – I decided to leave it out. You’ll thank me later. Not every album released in 1974 was brilliant, far from it.

If you want to go straight to the list, follow the Short List below. If you miss tracks from previous blog posts, or just want to have access to the most incredible and never ending playlist, click on the The Long List. And if you want to listen to a specic reviewed album and suggested single, click on the title in the review.

The Short List: New Tracks

The Long List: Previous Tracks

New Albums

Linda Dawn: Eleventh Hour

We’re hitting off with 70s funk and soul – and delicious vocals from debutante Lynda Dawn. It is so tastefully done, her voice reminds me of sadly deceased Minnie Ripperton. I was such a great fan of her.

Rogê: Curyman II

We’re back to the samba and to the delicious music of Brazil. Rogê doesn’t stick with the obvious; he is covering the whole field of latin music and adds his own.

Rose Cousins: Denouement

This is a mellow EP, with songs in minor for the most part. It is beautifully executed, though, emotional and with a sense of truth to all that is said and sung.

Joan Armatrating: How Did This Happen and What Does It Now Mean

She’s in her seventees and has released more that 20 albums, but she doesn’t relent. The songs are better and catchier than ever, and she has prodced the album herself. So much for retirement.

Wallice: The Jester

The second debut album this month, from singer songwriter Wallice from Los Angeles. With her playful lyrics and melodies this is a fun album to listen to in the pop/indie genre.

Father John Misty: Mahashmashana

A new epic album from one of the most talented artists living today, so confident and powerful as pop and rock music can be. Timeless in its expression. I have loved so much of what he has produced before, but this could easily be his best album. Yet.

Myriam Gendron: Mayday

Canadian folk singer Myriam Gendron is out with her third album, her most accessible till now. Her deep and rich voice gives us songs that seem to have been around forever, whilst still feeling fresh. The music is sad and beautiful and hopeful, including the instrumental tracks. Just lovely.

Clara Luciani: Mon Sang

In France Luciani is a massive star and many of you may have seen her perform at the reopening of Notre Dame. Her new album offers soft pop in droves, but very catchy and at times even touching. The album was written during her pregnancy, which may have added a layer of sweetness.

Kim Deal: Nobody Loves You More

The title track of this complicated album by Kim Deal, is worth the whole listening experience, a slow, seductive track with Kim Deal’s voice (perhaps) feigning innocence. Many of you might enjoy the whole album, but too much experimentation for my taste. Still, a number of very strong tracks. These are of course in the playlist.

Nerina Pallot: A Psalm For Emily Salvi

Nerina Pallot has become a kind of female Elton John, with her well-crafted piano pop. The only real difference is the level of fame the two of them enjoy. Pallot has her devoted fanbase, incuding me (and hopefully many of you), and keeps releasing one brilliant album after another. Musicians line to perform on her albums, but that doesn’t bring fame. Not that she seeks it, in interviews she describes herself as perfectly happy in the shadows of the business.

Ben Folds: Sleigher

Another artist who keeps churning out great multi-genre music is Ben Folds. His Christmas album is very different from most December releases, jazzy, with entertaining lyrics and without many standards. There is Christmas spirit in there if you just listen close enough, but it is a fun album nevertheless.

Michael Kiwanuka: Small Changes

Michael Kiwanuka has an impressive back catalogue, and here comes another accomplished album, with relaxed singer songwriter pop, and with songs that grow on you through every listen. Kiwanuka creates a certain atmosphere in my ears every time he starts performing.

St. Lenox: Ten Modern American Work Songs

Now to the strangest album of the month. St. Lenox wordy lyrics can be a bit much at times, but he forces you to listen to his ramblings on life in general and work life in particular. His style is highly original, there is a message at the core of each track, and everything, from arrangements and vocal performance, is built around that message.

Hekla Stålstrenga

Å Signa Natt

Christmas

Alfie Hudson Taylor

Being In Love

Pop/Folk

Alex E. Chàvez

Catalina

Pop

Lola Quinn

Little Dog

Folk

Angelina Mango

Melodrama

Techno

Metteson & KORK

Når lysene tennes der hjemme

Christmas

The Mummers: Tale to Tell

This is the newest of all classic albums I have introduced you to. In fact, I discovered the album as part of the work for this blog, and I have kept listening to it for more than 10 years, also waiting for new music from the band. Just after the release of Tale to tell, Mark Horwood, a key member of the band, comitted suicide, a horrible tragedy for both the band and for listeners. Hopefully more music will come our way, but until then enjoy this fabulous album, particularly the silver voice of Raissa Khan-Panni and the exquisite brass band arrangements that is the band’s foremost trademark.

Keep reading, keep listening in 2025, and don’t miss the year-end roundup in a week’s time.

World Music

Who can turn down a happy Nick Cave, a female tribute to Willie Nelson, soundscapes at its loveliest, blues at its purest and world music at its most interesting? Together with pop, rock, jazz, folk, country and everything else from five continents that I have found hidden in the Spotify vaults. Including a true classic and a not-so-classic fifty year old release. So enjoy!

If you want to go straight to the list, follow the Short List below. If you miss tracks from previous blog posts, click on the The Long List. And if you want to listen to a specic reviewed album and suggested single, click on the title.

The Short List: New Tracks

The Long List: Previous Tracks

New Albums

The Lemon Twigs: A Dream Is All We Know

Brian and Michael D’Addario, the brothers behind pop sensations The Lemon Twigs, are back with a new album, filled to the brim with enthusiastic new pop music, sharing the style of Beach Boys and Beatles and other classic bands. A Dream Is All We Know is not as faultless as last year’s Everything Harmony, but most albums recorded this year would fail when compared to that classic.

Nala Sinephro: Endlessness

Jazz virtuoso Nala Sinephro has created an album of soundscapes for you, an album you could easily turn to when you need some space in life and just want to get away from it all. The Guardian calls it «mystical jazz», and you may choose to listen carefully to all the wonderful turns of the music, or just let it flow all over you.

Terje Formoe: Et rop om kjærlighet

Terje Formoe has for decades thrilled children and parents alike with his amazing theatre and film Captain Sabertooth universe. I have had the pleasure of cooperating with him as co-producer for one of his films. But Terje is also a sensitive and creative composer and singer of pop and folk, in Norwegian. His latest album is by far his best, with more intricate melodies and personal lyrics than every before.

Orla Gartland: Everybody Needs A Hero

Irish Orla Gartland is back with another energetic and oh-so-sophisticated album, her second. Gartland has, however, been at it since she was 14, when she started posting songs on YouTube. These days we are definitely listening to a mature, full-fledged artist, a great songwriter with her own cheeky and inimitable style.

Lady Gaga: Harlequin

Another artist who is totally in control of her own career is Lady Gaga. Her musical versility is well-known, from electropop to jazz. She is the manifestation of what this blog is all about: don’t limit yourself musically (or in any other way, for that matter.) Harlequin is a playful album of standards, accompanying the motion picture Joker: Folie à Deux, with a curious collection of songs, from When The Saints Come Marching In to That’s Life. I enjoyed every second of it.

Sarah Blasko: I Just Need To Conquer This Mountain

Sarah Blasko performs pop music for grown ups, there are no frills around her music. It is serious and performed with broad strokes, often with elaborate orchestra arrangements and with an intensity that is infectious. Australians love their Blasko; it is about time the rest of the world get a proper sense of this unique artist.

Tami Neilson: Neilson sings Nelson

Let’s take a quick trip across the Tasman Sea to New Zealand, there we’ll find Tami Neilson, a truly versatile singer, mastering a number of musical genres equally well. She is a great admirer of Willie Nelson (who isn’t) and decided to record an album with his songs. The result is remarkable and shows off the skill and talent of both artists.

Ollee Owens: Nowhere to Hide

When you enter Ollee Owens’ web site, her pottery and jewellery are offered side by side to her latest album. There’s no hypocrisy about Owens, what you hear is what you get. Nowehere to Hide offers true and uncomplicated blues and spirituals performed in a pure form, like it was supposed to.

Mariama Ndure: Rituals

This album offers true world music. Mariama Ndure is a Norwegian artist born to Gambian parents, and she brings all her influences from her two cultures into this highly wide-ranging, but oh so personal album. I only knew Mariama from her children’s concerts with my daughter Karoline. Listening to Rituals I was taking into a whole new universe of African folk, modern jazz, and even poetry.

Eliane Elias: Time and Again

Eliane Elias was considered a wonderkid when she started performing as no more than a child. Now she is 64 and has released more than 20 albums, both as a singer, a pianist and band leader, sometimes all of it at the same time. Her full, laid-back voice is an invitation into Brazilian and Latin jazz, and her latest album shows off all her strengths and why I just never tire of the bossa nova.

Nick Cave and the Bad Seeds: Wild God Australian artist Nick Cave hasn’t always been a performer of happy music. And one could be fooled by his claim that Wild God was written and performed during a truly happy period for him and his band. «We’ve all had too much sorrow, now it is time for joy.» he sings on «Joy». And I am converted. In fact, I keep listening to this remarkable album, and it actually makes me, yes, happy, despite its darker tones.

Basia Bulat

Baby

pop/folk

Michelle Pollace

Be Right Back

Latin jazz

Adam Douglas & Darling West

Better off by the end of the Year

Christmas Pop

The Sums & Richard Hawley

I’m Just a Mouse

Rock

dondrea

Northern Roots

Indie

St. Vincent

Pulga

Rock

Ashe & Suki Waterhouse

Pushing Daisies

Pop

Annprincess

RunAway

Pop

Knut Anders Sørum

Stjerneskudd

Christmas Pop

Ringo Starr

Time on My Hands

Country

Sade

Young Lion

R & B Ballad

Radka Toneff & Steven Dobrogosz: Fairytales

Like too many other young artists, Radka Toneff died very young. She managed to record a number of albums before she died, Fairytales being the most famous and with the broadest reach. Steve Dobrogosz has continued to record, as listeners of this blog know well. Fairytales was for me the gateway to songs like Moon is a Hard Mistress and My Funny Valentine. Radka Toneff’s vulnerability shines through her renditions, and nobody can emulate her performance in my view.

Bay City Rollers: Rollin’

What has been amazing to discover going back 50 years to no. 1’s at that time, is how many releases really have withstood the ravages of time. Rollin’ by the Bay City Rollers is not one of them ( and the same goes for the cover photo). Still, they were incredibly popular among the youngest listeners with their chewing gum pop. I have left a few songs in the playlist; it is still pop music history.

Autumn Basket

A varied menu for you this month, pop, soul, country, electronica, rock, jazz, but hopefully cohesive, nevertheless. Fewer albums than normal, instead a number of interesting singles, perhaps previews of albums to come. And for the nostalgic, two albums that will never fade, from Eagles and Paul McCartney & Wings.

If you want to go straight to the list, follow the Short List below. If you miss tracks from previous blog posts, click on the The Long List. And if you want to listen to a specic reviewed album and suggested single, click on the title.

The Short List: New Tracks

The Long List: Previous Tracks

New Albums

The Avett Brothers: The Avett Brothers

This is already a contender for top ten albums of the year. Such confidence of two brothers and their band! San Fransisco Cronicle said it better than I can: a novel sound with the «heavy sadness of Towne Van Zandt, the light popo concision of Buddy Holly, the tuneful jangle of the Beatles, the energy of the Ramones.»

Amanda Mammana – Back to Life

Amanda Mammana became a star on Americ’s Got Talent, with her story of how her speech impediment, stuttering, limited her in every way except singing and performing. Her debut album with her major hit, Back to Life, must surely be inspiring to everyone with a similar infliction.

Remi Wolf: Big Ideas

Remi Wolf is a feisty artist, performing what she herself calls funky soul pop, an accurate description in mye view. This is music bursting with mood enhancing energy and exhaltation.

The Bygones: The Bygones

The Bygones are Allison Young and Joshua Lee Turner, two musicians stuck in the past, and thank god for that. Their mostly original music stretches from the sound of the 1930s to country to South American bossa novas.

deClair: hiding mountains in the palm of my hand

A fairly new genre that emerged from the democratization of recording music, is bedroom pop. Social Media is full of examples, and some artists make the transistion to an even larger format. deClair is one of them, and one of the most interesting.

Richard Hawley: In This City They Call Love

One of my favourite voices belongs to Richard Hawley, a Sheffield boy, who has collaborated with bands like Pulp, Elbow and scores of others, but he is in his home territory on his solo albums, with his silky Roy Orbinsonesque rockabilly sound. I can’t get enough of this, and love his latest album.

Role Model: Kansas Anymore

Tucker Harrington Pillsbury, started his professional career as a rapper, but realized he was a better singer than rapper. We should be very happy he changed from the artist Tucker to the artist Role Model. Kansas Anymore offers spicy pop with some really catchy tracks. You’ll find them in the playlist.

Steve Dobrogosz: Relived

I discovered the talented pianist Steve Dobrogosz when he collaborated with Radka Toneff in the 1980s. Their Fairytales is still one of my favourite albums of all time (coming soon to a playlist near you, I imagine). Dobrogosz has continued recording, mostly giving us new versions of popular music. His latest album, Relived, is no exception. I love how he uses familiar themes, but presenting them to us, often in a totally new way. I bet you’ll recognize most songs from the album.

Club des Belugas

Cabriolet Tour

nujazz

Anne Fagermo

Chasing Dreams

pop

David Gilmour

Dark and Velvet Nights

Pink Floyd-esque rock

Mariza & Gson

Desamor

fada-inspired pop

Rose Cousins

Forget Me Not

pop ballad

Valerie June, Carla Thomas & The Stax Academy

Friendship

r & b

Formoe

Fugo

electronica

RAYE

Genesis.

symphonic r & b

Charli xcx & Billie Eilish

Guess

electroclash

Balduin & Kate Thomas

Hep Cat Boogie

electroswing

Father John Misty

I Guess Time Just Makes Fools of Us All

pop/blues

Hohnen Ford

I Wish I Had A God

pop ballad

Tess Henley

Joy Somewhere (At Home)

soul

Three Sacred Souls

Live For You

soul

Toby Rose, One Trick Pony & Bjerke

Mexico

contemporary pop

Aden Foyer

My Brother, I

pop ballad

Pet Shop Boys

A new bohemia

symphonic pop

Adam Melchor

not good for you

pop ballad

Blessing Offor & Dolly Parton

Somebody’s Child

power ballad

Kristina Train

This Magic Moment

pop ballad

Frank Cosentino

VIBIN

blues

P.A.V.

Walk Away

electropop

Eva Cassidy

Walkin’ After Midnight

country ballad

Sarah Blasko

The Way

pop ballad

Sam Redmore & Lumi HD

What Would You Do?

funk

Eagles: Hotel California

This 1976 album by the American group Eagles is considered by many to be one of the best albums of all time. I don’t think it is, there are quite a few run-of-the-mill tracks on it. But I still consider it ground breaking and a true classic, with its allegorical lyrics that will keep any drunken afterparty debate alive for hours. The title track is the most memorable, but I take great pleasure in a number of lesser known tracks, all of wich are in the playlist.

Paul McCartney & Wings: Band on the Run

Can you believe it is 50 years ago? Half of the music press who hated McCartney who they blamed for the Beatles breakup, suddenly agreed with the other half that this album was McCartney’s masterpiece. Recorded in Lagos, Nigeria, it is truly great and so impeccably produced it is almost like a symphony, with repeating themes and a wholeness to it that lacks in most other albums.

Summer Interlude

Once again I must start with an apology (yes, it has happened before…) – actually two apologies. First, sorry for being late with new music. Second, sorry for having to be very brief this time around. These are busy times, but I vow to come back stronger and make it up to readers and listeners. What I can promise, is that there’s a lot of great music in this blog playlist! So listen, read my ultra-short notes on each album, enjoy the singles, the classic and the 50-yearold and yes – the best of Eurovision Song Contest. New list as soon as I can get my head around it. Promise.

The Short List: New Tracks

The Long List: Previous Tracks

New Albums

From to left to bottom right. Click on the almum to listen to it.

AUDIO VERTIGO – Elbow. Indie band/Alternative rock from England. One of the best.

Bright Future – Adrianne Lenker. Indie folk. Quiet and marvellous.

Deeper Well – Kacey Musgraves. Needs no introduction. Nu-country, New brilliant album.

Iechyd Da – Bill Ryder-Jones. Welch whisper-singer. The songs are magnificent, but a little disturbing with the whispering. But you get used to it.

Leslie Stevens – Leslie Stevens. LA sound, reminding one of Lana del Rey, perhaps. Love the sound.

Liam Gallagher & John Squire – Liam Gallagher & John Squire. Need no introduction either. The return of Oasis in many ways.

Natural I – ALEPH. Japanese chanteur. Quiet and fragile. Great songwriting.

The Pendelum Swing – Katherine Priddy – English folk drifting in to pop. Again, this woman can write.

Salvage Enterprise – The Polyphonic Spree. Rich pop music. Summery and kind.

Tigers Blood – Waxahatchee. American verging into rock. One of the best vocalists in the business.

Until We Meet Again – Sy Smith. Soul and jazz. Maybe not be to everyone’s taste, but I find it interesting and cool.

Singles

Barefoot . Jo Benoit

Don’t Forget Me – Maggie Rogers

Heavy Rain – Richard Hawley

On the Corner – Charlie Rowe

So Sick of Dreaming – Maggie Rogers

TEXAS HOLD ‘EM – Beyoncé

Tokyo Laundry – Keaton Henson

Used to Lovin’ You – Diane Birch

Young Days – Annprincess

Bridge over Troubled Water – Simon & Garfunkel. Can you believe it took me so long. Thankfully I never said I would do them in order of importance. There’s not a weak track on this album. If you get a chance, watch the documentary about how it was made. You’ll be even more dazzled. My favourite track is Song for the Asking, I can’t listen to it without sensing a tear on its way.

50 years ago Queen released the worst album in their career, in my view. The only reason it was worth listening to, was because it portended what brilliance was waiting for us out there in the future. There are some half decent tracks on the album – I have hidden away the rest, but click on the cover if you want to listen to the whole thing.

This month’s earworm is actually an ESC-entry, from France, the song by Slimane that perhaps should have won. When I have listened to it, it sticks to my brain for at least a day. It is annoyingly simple, but beautiful and moving in its simplicity. Here’s the rest of the decent entries from ESC:

La Noia – Angelina Mango – Italy

Fighter – TALI – Luxembourg

Pedestal – Aiko – Czechia

Hollow – Dons – Latvia

Jako – Ladaniva – Armenia

Always on the Run – ISAAK – Germany

And the winner, of course. Switzerland. The Code. With Nemo. Had you forgotten?

Yesterday Once More

The Short List: New Tracks

The Long List: Previous Tracks

New Albums

No, it is not Don Henley of the Eagles, it is Dylan LeBlanc from Louisana, with a concept album – rare these days, Coyote, a story of a man on the run. It was not the story itself that drew me to this album, but the pure quality of the music, an exceptional country rock album that reminds me of Eagles in more ways than the vocals.

Great songwriting is the trademark of Real Estate’s 6th album Daniel as well. Although some of the tracks are a bit bland, most of the album is enjoyable, with its soft rock feel, melodic and sunny.

Blog followers know I am a fan of Gaby Moreno, even when she lacks a certain direction, like on her new album, Dusk. At least you’re never bored, as Gaby jumps from latin to pop to rock and back, and she does it all in style, with her warm and expressive voice, whether she sings in English or Spanish.

There’s a bit of direction confusion on Rina Sawayama’s second album as well, Hold The Girl. But as with Moreno, perhaps it doesn’t matter that much. I am at least glad she has added more ballads and less run-of-the-mill r&b this time. It is a daring move, she could easily be up there with the Lady Gaga crowd, but like Gaga she refuses to stay on track. I will keep listening.

There is considerably less punch in Kai Warrior’s voice, and that’s the point. The songs on Everything I Know were mostly written in their bedroom and sounds like it, but they are lifted by a band that surrounds and embraces the fragile songs.

Bombay Bicyle Club from England has released a new EP, Fantasies, a happy album with catchy tunes and great harmonies.

In the end it always does is the name of The Japanese House’s album of 2023, and she (yes, her real name is Amber Mary Bain) has rerecorded some of the songs on ITEIAD Sessions, including a unlikely and different version of Super Trouper by ABBA, defintely worth listening to.

Another artist that performs as a band is Alynda Segarra, aka Hurray for the Riff Raff. Although the theme of The Past is Still Alive is quite sombre, about growing up under difficult circumstances, the music is feisty and positive indie with a touch of Americana.

Gruff Rhys of Super Furry Animals has issued nearly as many solo albums as with his more famous band. On his latest, Sadness Sets Me Free, the songs are again built around his dark and introvert voice, with a calming effect, at least on me. But if you’re looking for fireworks, go elsewhere.

We end this month’s album reviews with three albums that defintely look back at yesterday. Nouvelle Vague is a French band specializing in covers of New Wave music but with a very different take. They could have fitted right in at a night club with music that wouldn’t be there otherwise. Should I Stay or Should I go contains tracks that extend from the interesting to the bizarre.

Rod Stewart and Jools Holland’s brilliant big band stay on the rails when recreating some of the great songs of the big band and rock’n’roll era on Swing Fever. No surprises here, just hipswinging, delightful rhythms, with Stewart’s crooner voice at its best.

Joe Jackson goes one giant leap further, flawlessly recreating the music hall sound on What a Racket!, even creating an alter ego in Max Champion, a performer from that era. I love artists who allows themselves to leave the safe area that have created their fame. Jackson had a number of major pop hits as far back as in 1979, like Is She Really Going Out with Him.

New Singles

I have put a lot of enjoyable singles in the jukebox for you, from Florence + The Machine’s almost hypnotic White Cliffs of Dover to Walter Trout and Beth Hart’s power ballad Broken, with a guitar solo the way they used to make ’em. And the rest covers more genres than you can name: ballads, classic piano, world music, country, rock’n’roll, latin… I’ll stop there. Just jump in.

Always Be my Man  – Billy Porter & Luke Evans

Rhapsody in Blue – Richard Galliano

Capricorn – Vampire Weekend

Everybody’s Gone To War – Nerina Pallot

Hello Radio – Aden Foyer

Is There Still a Light On? – Adam Melchor

Judge Tenderly of Me – Anne Fagermo & Dag Erik Oksvold

Los lanbones – Aristides Ramirez

Next Time Around – Liam Kazar

Northern Boy – Ruby Sue

Pt. 3 Linger in Silence – Graham Reynolds & Marta Del Grandi

Rájás – Kajsa Balto

Sister’s Coming Home/Down At The Corner Beer Joint – Tami Neilson & Nicky Diamonds

Waltz for You – Andreas Ihlebæk

Why Don’t They Choose Me? – Michelle Locket

You Should Run – Missy Higgins

The Classic

One of my favourite singers, Kirsty MacColl, recorded Tropical Brainstorm in 1999. The songs had a true Cuban/Latin feel, but the lyrics were feisty, funny and literate, mostly about men who didn’t match up to MacColl’s standards. Like with all albums I call classics, I never tire listening to Tropical Brainstorm, but always with a certain sadness of what could have been. Kirsty MacColl was killed only months after its release, by a speedboat in Mexico while out swimming with her two sons. She probably saved her son’s life by pushing him out of the way, but died instantly after being hit by the boat. Because this album turned out to be her last, it is even more precious to me.

1974

I wrote about this amazing album in the intro. But even Singles 1969-1973 brings out a certain sadness in me when I listen to it, because Karen Carpenter, like Kirsty MacColl, also suffered a premature death, a heart failure at 32 following a long fight with anorexia, probably caused by dealing with fame. Richard’s career as a superstar also in effect ended with her death, although he continues to perform and produce.


I can’t get Turn the Lights Back On out of my head, so it’s abolutely this month’s ear worm, the first release from Billy Joel in 17 years, and I would argue one of his best songs ever, co-written with Freddy Wexler. It is an amazing, well-written ballad that feels true and real, whatever meaning you decide to give it. The video, directed by Wexler, is equally amazing, using AI to recreate Billy Joel from the 70s (when I saw him perform) the 80s, the 90s and today.

It’s truly Yesterday Once More.

Remnants of ’23

The Short List: New Tracks

The Long List: Previous Tracks

New Albums

Michael Nau’s Accompany, reviewed by The Line of Best Fit «Laidback sensibility»

Australia’s Middle Kids: Bend, reviewed by Pitchfork, «a band for the people».

Energetic young rock from Pip Blom, Bobbie, reviewed by Album of the Year (AOTY) «Carefree synth pop»

Jazz group Come Shine’s return after many years, with Coming Home, reviewed by Jazzlandrec, «Come Shine is always on the hunt for a new way into an old song, finding small keys to unlock big doors»

Jonathan Wilson’s new album Eat the Worm, reviewed by No Depression «Fearlessly experimental and deeply immersive, Eat the Worm is the distillation of a true artist in all his wacky, visionary glory.»

Randi Tytingvåg Trio’s Hjem (Home), Norwegian folk/Americana, reviewed in Norwegian by Stavanger Aftenblad. «Do you need comfort? Try this.»

Chanteuse Emeli Sandé’s new album How Were We To Know, reviewed by Pop Passion, «Full of fresh new sounds, How Were We To Know mixes elements of dance, reggae, and gospel music with commercial pop.»

The National is already out with a suprise new album Laugh Track, reviewed by The Guardian, «it’s challenging to write about middle-class malaise and make it sound so gripping»

Delara’s Shahrazad, reviewed by Intersect, «a rising multifaceted artist with a rich Iranian heritage and a global perspective, has created a distinctive musical identity and emerged as a local sensation.»

Tate McRae’s THINK LATER, reviewed by Irish Times, «not one track you wouldn’t want to hear again.»

Sondre Lerche’s Understudy, reviewed in Norwegian by Puls, «a cover album that in every way makes it an original Sondre Lerche album. Overwhelmingly, overwhelmingly good.»

Finally Krissy Mary’s Americana album, Virago, reviewed in Norwegian by Aftenposten, «The best album you missed last year came from Krissy Mary.»

New Singles

Almost Like Being In Love – Rod Stewart & Jools Holland

Blind Then – HILLARI

Bonnie Michelle – The Last Hurrah! & Maria Due

Easy – May Erlewine & Theo Katzman

Inga Sorger – Loulou LaMotte

Kameleon II – Daniela Reyes

Kiss Ur Face Forever – Orla Gartland

Lawns – Club des Belugas & Thomas Siffling

Oral – Björk & ROSALÌA

The Parting Glass – boygenius & Ye Vagabonds

Siete Lágrimas – Lau Noah & Cécile McLorin Salvant

Slice – O.

SORRY – Ingrid Jasmin

Tell Me What You Sell Me – Niclas Frisk & Nina Persson

There’s Always Home – Gaby Moreno

There Will Come A Day – Celeste

Waterfall (I Adore You) – Yebba

When You’re Smiling – Stephen Bishop

Your Blood – AURORA

The Classic

Gary Brooker of Procul Harum’s amazing solo album, No More Fear of Flying.

1973

Emerson, Lake & Palmer. One of the most distinct sounds of the pop/rock era. Brain Salad Surgery made it to the top in 1974.

Be careful, «Don’t Do Me Good» will stick in your ears…..

Most Enjoyable Albums of 2023

As has become a yuletide custom, I give you a list of the ten albums that I have enjoyed the most in 2023, albums which I have kept coming back to throughout the year. The value of music, as the value of any art, lies in the eye of the beholder, so my list may not necessarily be equal to your list. Still, I hope it inspires many of you to listen to albums you might otherwise have missed.

80% of of all the listening on Spotify is supposedly to no more than 20% of the tracks available. Which means you are probably missing a lot of good stuff. The whole purpose of my blog is to bring to the forefront new music that wouldn’t normally get the attention it deserves. As my logline says: I hunt the best music so you don’t have to. (I have added Metacritic’s total rating out of 100 and Pitchfork’s out of 10, when available. The fact that only a fraction of the albums are universally reviewed, tells a story of how difficult it is to break through for an artist or an album that doesn’t break the surface. And hopefully proves the point that a blog like mine serves a purpose)

Below you will find a number of great runners-up albums (in alphabetical order) , followed by my final 10. Click on the album cover, and you will be taken directly to the whole album on Spotify. I have also put together a separate playlist with the top 10 albums, found HERE

Blómi
Susanne Sundfør
Metacritic: Not Rated
Pitchfork: Not rated
Late Developers
Belle and Sebastian
Metacritic: Not Rated
Pitchfork: 7.6 of 10
Love And Money
Kate Melua
Metacritic: Not Rated
Pitchfork: Not Rated
Luna
Ingrid Jasmin
Metacritic: Not Rated
Pitchfork: Not Rated
My Mind Wanders and Sometimes Leaves Completely
Lola Young
Metacritic: Not Rated
Pitchfork: Not Rated
Seraph
Tine Thing Helseth & Ensemble Allegria
Metacritic: Not Rated
Pitchfork: Not Rated
Studio Ghibli Anime Music
Joe Hisaishi
Metacritic: Not Rated
Pitchfork: Not Rated

Then on to my special favourites. Albums that stood out and that I enjoyed more than anything else I have listened to this year.

So, these are my top ten choices of 2023. (Some of the albums were released in 2022, but reviewed by me in 2023. )

To see how others review the album, I have added quotes from other blogs and publications.

You’ll find a link to the individual albums by clicking on the cover.

Sensibility
Bill Cantos
Metacritic: Not Rated
Pitchfork: Not Rated

«Featuring artistic collaborations with legends like Burt Bacharach and Johnny Mandel, Bill Cantos’ latest album ‘Sensibility’ takes you on a journey into the beautiful realm of Brazilian-infused pop and jazz symphonies. This phenomenal album is a tapestry of Cantos’ original pieces as well as soulful renditions of tracks like “No Halfway” and “This Can’t Be Love”, and a stirring cover of Cole’s song “That Sunday That Summer”. Rooming the mastery of various talents, this magical house, crafted over the past few years, boasts an exceptional team of musicians that bring a diverse range of elements to the table. Bill Cantos has breathed new life into the album.»

Muse Chronicle, August 3, 2023

Gullokk
Solveig Slettahjell Quartet
Metacritic: Not Rated
Pitchfork: Not Rated

For many vocalists around the globe, it has been a natural exercise to pay The Great American Songbook a visit at one time or another during their career. Slettahjell has also done it – in her own way. It can be heard, among other things, on «Live at Victoria». Now she has made a totally great twist on this concept and created a songbook album that is totally unique both in terms of repertoire and way of interpreting it. Slettahjell, with a voice that is very much her own… has covered several of her favourite Norwegian and Swedish songs and spiced them up with two of her own. 

Tor Hammerø, Nettavisen, February 2023


First Two Pages of Frankenstein
The National
Metacritic: 79 og 100
Pitchfork: 6.6 of 10

«First Two Pages of Frankenstein is yet another dose to remind you why – and how – the band have managed to carve their own special place out in the cultural landscape»

Apr 27, 2023 The Line of Best Fit

Voice Notes
Yazmin Lacey
Metacritic: 89 of 100
Pitchfork: Not Rated

Voice Notes is conceptually and musically accomplished, flourishing with inspired narratives and sensuality at every turn. It seamlessly blends jazz, soul and electronica without overpowering the singer-songwriter’s supple vocals. There’s so much to love and savour.

The Observer 18 April 2023

I Don´t Know What Love Is
Stacey Ryan
Metacritic: Not Rated
Pitchfork: Not Rated

I Don’t Know What Love Is is a strong and unique debut from Stacey. It melds elements of jazz, pop, and R&B together flawlessly. Creating her own distinct sound and niche in the pop scene, the six tracks feel and sound similar to a few of the tracks on Ariana Grande’s debut album, Yours Truly (2013). Something back in 2013 was rarely heard and seen as unique. It still hasn’t been replicated at all since that particular album -until now. Unquestionably, this debut from Stacey Ryan is not a copy of anything in the past but an ode to her upbringing of influences. Stacey Ryan is rising in popularity as the days go by.

Samuel Stephens, Crucial Rhythm, April 2023

TIMBRE
Salvador Sobral
Metacritic: Not Rated
Pitchfork: Not Rated

«Salvador Sobral, the Portuguese winner of Eurovision 2017, has made a comeback with his latest album, TIMBRE. This album features 11 songs that blend a unique mixture of genres: jazz, soul, and alternative music. Compared to his previous releases, TIMBRE exudes a more joyful and experimental vibe. Salvador provided a glimpse of this new direction with his heart-warming previous release, «pedra quente» (hot stone)… Notable collaborations are also featured on the album. Salvador collaborates with Mexican star Silvana Estrada on «de la mano de tu voz» (from the hand of your voice), he joins forces with the globally recognized Uruguayan singer Jorge Drexler on “al llegar” (arriving), reunites with his sister and composer of his Eurovision entry, Louisa Sobral, on “a distância não é lugar” (distance is no place), and teams up with the French artist Barbara Pravi, who represented France in ESC. «

Ruxandra Tudor, Wiwibloggs

Driven
Gilbert O’Sullivan
Metacritic: Not Rated
Pitchfork: Not Rated

In the decades after his mid-’70s commercial peak, Irish singer/songwriter Gilbert O’Sullivan maintained a prodigious output of well-written, quirky piano pop records, somehow sticking it out long enough to enjoy a career renaissance with his self-titled 2018 album…. His 2022 follow-up Driven is, if anything, an even better record. At age 75, O’Sullivan sounds half his age, delivering sharp-witted rockers like «Love Casualty» and «You Can’t Say I Didn’t Try» with infectious energy and zeal. Produced this time by Andy Wright (Simply Red, Simple Minds), Driven retains some of the fuzzy, laid-back ’70s charm that characterized his 2018 set while also harking back to the tasteful soft rock orchestrations of his heyday, especially on standouts like the marvelous «Blue Anchor Bay» and the piano-and-strings ballad «If Only Love Had Ears.» Driven also benefits from an inviting group energy with lively backing vocal interactions, a nimble rhythm section, and scintillating guitar leads«.

Timothy Monger, AllMusic July 2023

Be the Wheel
Theo Katzman
Metacritic: Not Rated
Pitchfork: Not Rated

Opening an album with the title track is a bold move, a statement that you’ll start strong and only get better. For his fourth studio album, Theo Katzman takes the menagerie of ballads and rock classics he’s known for, and refines them into a masterclass of storytelling through song.

Jonah Lefkoff, WRBB March 2023

Everything Harmony
Lemon Twigs
Metacritic: 87 of 100
Pitchfork: Not Rated

«The songwriting never dips below classic. The teen stars of the late 50s would have coveted the midtempo ballad Any Time of Day, with its ripe key change; What Happens to a Heart’s period-detail harpsichord builds to an orchestral chorus that puts it among the most gloriously histrionic breakup songs ever written; In My Head reminds us that in an age of copyright lawsuits, there are still so many new and perfect songs waiting to be written. In love with the past but making the present so bright, the Lemon Twigs are, in the end, timeless.»

Marina Hyde, The Guardian

The Reset
Macy Gray & The California Jet Club
Metacritic:Not Rated
Pitchfork: Not Rated

«Her new album, The Reset, is her best and rangiest work in years, with a renewed sense of purpose and a mix of styles that gives plenty of scope for her outsized personality to shine.»

Alan Pedder, Best of All Fit

«The Reset reveals 360 degrees of Macy Gray at her lyrically introspective and vocally exuberant best. The trio of Tamir Barzilay, Billy Wes and Alex Kyhn wraps around Macy like a glove. And she, in turn, provides them full license to shine as bright as front of stage spotlights… The album is titled The Reset because Macy, like so many of us, feels like that’s what this awkward, often painful period is like to live through. “God is telling us to rethink the things that we are doing… How we’re livin’. Like Pandora’s Box, a lot of things have sprung out that people had stopped paying attention to. The world is having a reset. Whether it’s a good one or a bad one, we’ll find out. I use to believe everything happens for a reason. Now…I just don’t know.»

Ronnie Scotts review

Earworms 2023

As an added feature this year, I would like to introduce you to the songs that more than any others have stuck in my ears this year. Earworms are considered a nuicance by some, but I am not implying that these songs are annoying, rather that they are brilliant and will outlast the year. The five songs have a common theme: love. Perhaps the best theme to bring with us into 2024, together with a sense of community, security and freedom.

See you in 2024.

Old Fogies Ride Again

The Short List: New Tracks

The Long List: Previous Tracks

New Albums

The opening album, The Astronomer’s Dream (fun fact: the title is taken from a live animation silent movie from 1898) by Norwegian artiste extraordinaire Bjørn Tomren, takes us into his peculiar musical universe. Tomren went from obscurity to fame two years ago, when he won the contest The Ultimate Entertainer, thrilling the audience with his mixture of crooning, yodeling and Mongolian throat singing (no, I’m not kidding). The album is less iconic than it sounds, you might enjoy it even if throat singing is not your thing.

Remaining in Norway for a bit more, Team More is a 8 piece band who write and perform well crafted and optimistic pop tunes with strong harmonies and a feel-good attitude throughout. Their new album, Return to the Riverside, does just that: taking them back to their childhood and being raised in a small town.

Harmonies are the trademark of the folk-pop duo Lily & Madeleine as well. The two have created sweet, almost too sweet, pop music before, starting very young. Now they have matured, and Nite Swim is their best album yet.

And finally there’s a proper album from Salvador Sobral, not only random single releases! The Portuguese jazz singer who won Eurovision Song Contest some years ago, has not taken any advantage of the publicity from his strong victory, but have kept touring, recording a single now and then, performing with people he likes. I went to a concert with him a few years back, and it is still among the best stage performances I have ever experienced. But he obviously doesn’t want fame and fortune, and good for him! Timbre is a terrific album, showing off his creamy soft voice and excellent execution. If you enjoy it as much as I do, don’t tell anyone – I don’t think Salvador wants you to do that.

Canadian singer Laila Biali is seeking fame in a more traditional way, releasing an album of covers, mostly, naming it Your Requests. There are some original and interesting takes on songs you probably know. I have picked a bouquet for you.

Can you believe old fogey trumpeter Herb Alpert is 88 years old? This energetic and craftful Wish Upon a Star certainly isn’t giving his age away. The smooth trumpet sound that gave me such delight back in the 70s, is still there, and he has brought other brilliant musicians with him into the studio, plus The American Songbook.

Joe Hisaishi, the brilliant Japanese composer and orchestra director, is a young man compared to Alpert, with his 72 years. He has just released a collection of his compositions for Animé cartoon films together with The BBC Concert Orchestra, and what a thrill it is. It is almost impossible to pick only a section of this album to do it any justice. There are few if any contemporary composers who can rival him.

The Lilac Time (fun fact: name taken from the lyrics to a song by Nick Drake) with the Duffy brothers Nick and Stephen at its centre, seem to aspire to join Salvador Sobral’s club of brilliant unknowns, which they can never be. The dark and poltically heartfelt lyrics and music dominate their latest album Dance Till All the Stars Come Down. No pretenses, just pure audience communication and strong beliefs.

Liverpool’s folk-rock band The Coral has a new album out, Sea of Mirrors, bursting with British folk guitar-based music, lovely songs down to earth, no frills, timeless and mature music.

One ought to leave some space between album releases. Cleo Sol definitely seems to disagree. Not only did she release a new album completely out of the blue in September, two weeks later she released another one, Gold. I blinked, so I missed the first one, thus it is the latter I have added to this month’s playlist, an amazing soul album, eerily beautiful. Now it’s time to «go back» and listen to her previous release, Heaven. Can’t wait. 

Madison McFerrin‘s claim to fame is of course her father, Bobby, (Don’t Worry Be Happy), but more troublesome: a rendition of The Star-Spangeled Banner during a political rally in 2016, supposedly out-of-tune (I have heard it and it is not that bad, but rumours stick). She’s in no way out-of-tune on her new album I Hope You Can Forgive Me, sophisticated pop and soul, lush and with an amzing range in style. Bobby makes an appearance as well.

New Singles

The most talked about single – by far – is the AI-aided Now and Then, labelled a single by The Beatles. And it’s very close so: This is a demo Lennon made but never finished, Harrison did some overlays but left it at that, and McCartney and Starr finished it. The result has all the characteristics of The Beatles, and I’m glad they did it despite the artificial method.

The Latvian band Sudden Lights has released a great Coldplay-like new single, musu milestiba (Our Love).

Three interesting two-person teams this month: Sam Ryder brings us a power balled together with Queen- guitarist Bryan May, and Lady GaGa teams up with Mick Jagger and Rolling Stones on Sweet Sounds of Heaven, while Lucy Schwartz teams up with rising star Jared Palomar on Ghost In My House.

Winner and runner-up in this year’s Ultimate Entertainer in Norway, Odd Renée Andersen and Mari Bella are in the list, a young very promising talent in Bella with a decent pop single, and one of the best blues/rock-voices anywhere on the planet in Andersen, performing My Girl.

Maria Kannegaard would probably have been considered one of the world’s finest jazz pianists if it hadn’t been for a debilitiating psychological disorder. A podcast (in Norwegian, sorry, some of you…) out about the brilliant musician has introduced many to the horror of schizophrenia, but also to the wonderful universe of her piano compositions. A single from her hopefully forthcoming album, Bortimot, is out.

Other interesting singles I want to bring to your attention this month are from Rufus Wainwright, Deacon Blue, Mirändä, The Polyphonic Spree, Julia Jacklin, The Bygones, Emma Schneider and Keaton Henson. Enjoy!

The Classic

Francis Ford Coppola rarely bombed as a director, but «One From the Heart» got a severe beating by most critics when it was released in 1982. It was not a particularly great film, so I think there were some truth to the reviews. The soundtrack, however, was a different matter. I consider it one of Tom Waits‘ best albums, even though it take some getting used to his duets with country singer Crystal Gayle. But when you do get used to it, you might also accept that it is a brilliant choice. The two of them create a peculiar atmosphere together almost like being in a seedy bar somewhere in a big city. I have never heard anything like this before, and never have since.

1973

When Elton John released his album, Goodbye Yellow Brick Road, he was already one of the greatest stars on the planet. It was hard to image he would undo himself after his first albums, but when this double album came out in 1973, it became very clear that he had done just that, and had created something close to a pop masterpiece. I never tired of it, still haven’t, but some of the tracks are so much played even today, that I have tried to focus on the less known songs. But if it is a trip down a yellow memory lane you’re craving, go for the whole album as I did preparing for this blog. Oooh!

Well, next stop is the annual countdown of this year’s best albums. Then, see you over in 2024 for what hopefully will be a great new music year. Fingers crossed!

Mellow Rockers

The Short List: New Tracks

The Long List: Previous Tracks

New Albums

This month’s blog title refers specifically to Blur and The National, both bands out with mostly mellow albums, and both with close to career best. I enjoyed Blur when they were playing britpop and rock, they still do, but some of the best tracks on their new album are beautiful ballads. The National have always be dark and moody, they still are, but I have never enjoyed them more than now. The last track of the album, Send for me, is a particularly mesmerizing love song. Both albums are impeccably produced, lovely harmonies and exquisite orchestrations.

I have not yet seen the Barbie movie, but having listened to the album, I get the gist of the story. Most tracks are not worth spending listening time on, but I enjoyed the fun in among others Lizzo’s Pink and a slightly new side of Billie Eilish.

This month’s most bizarre album – in a good way of course – is Because, a collection of gospels and spirituals performed by a countertenor and a jazz pianist, a countertenor being a classical male singing voice with a range of a female mezzosoprano. Reginald Mobley recreates some of the classical spirituals in a way that you just have to listen. Sometimes it is too much, but on most tracks there is a beauty there that I have never before heard. Babtiste Trotignon does his bit to give these songs a completely new coating.

I do like quirkiness, and Joanna Sternberg’s I’ve Got Me offers me more than I bargained for on what feels like a homemade album – in a good way of course. Her voice is raw, edgy, close to the microphone and close to a lived life. Similarly (but still very different) Lola Young invites us into her not so average life on a brilliant new collection. I have been a fan of her since she started recording. It is still beyond comprehension that she does not get more attention than she gets.

Another favorite artist of mine is Ricky Lee Jones. It is a long time since Chuck E was in love, and many of the songs on her cover album go equally far back. Her peculiar, attention-grabbing voice does not fit all the classics on the album, but there are still many interesting gems here.  I have tried to mine the for you.

When I was a student, I was for a brief period lucky to work with Bill Cantos, who has gone on to be a brilliant interpreter of both his own and other artists’  jazz compositions. His work with Burt Bacharach is legendary, and now he has also been involved with another classic artist, Herb Alpert (watch this space), but this month I want you to lend your ears to his solo album, Sensibility, that really shows off both his piano skills, his warm and flexible voice and his perfectionist compositions.

Ben Folds has been in the business as long as Bill, starting out in the early 90s with his own group Ben Folds Five. It is great to have him back, with his first album in 15 years, What Matters Most. This is accessible pop music at its best, piano driven and lush arrangements around his pleasant voice.  And if you like this album, my guess is you will also enjoy the latest from The Lemon Twigs, sweet, melodic, and well-crafted pop music. If you like slightly more edgy and tougher, listen to Paper Sparrows, a trio from Edinburgh, or the highly energetic self-titled album from Cut Worms. I have added spicy songs from both great new albums.

Bruno Major offers a more rounded taste on his third album, pop music heavily soul inspired, with Bruno’s sad voice lamenting about lost love and lost time.

The last album on this month’s list is from Norwegian chanteuse Susanne Sundfør, who is also known for her melancholic music. This is not necessarily the case on her latest album Blòmi, her strongest release to date. Although there are new age elements, poetry readings and such, most of the album is a joy to listen to. She is a rare artist, one of the many Norwegian female artists that has made an impact internationally.

New Singles

Lots of interesting new singles in the playlist! (I have also sneaked in Kris Kristofferson’s homage to Sinead O’Connor, “Sister Sinead”, as a tribute to her from me as well; I was devasted to hear she had left us – more about that later.)

I have added a preview of master pianist Yuja Want’s collection of Rachmaninoff’s greatest, plus new singles from favourites Cigarettes After Sex, Zaz, Daisy Dash, Nellie McKay and Ian Shaw. You can also listen to attention-grabbing and stimulating single tracks from Fountaines D.C., King Princess and Judith Hill.  Actress and singer Bridget Everett of “Somebody, Somewhere” fame (catch that wonderful TV series if you haven’t already!) has released her lovely “Home” and Susanna (of Susanna & The Magic Orchestra) sings with my employer NRK’s own symphony orchestra. Finally, relax and enjoy singer Ashnaa and the smooth Usuru Narambulay.

The Classic

This month’s classic work can be no other than I Do Not Want What I Haven’t Got by Irish superstar Sinéad O’Connor, who sadly left us this Summer. This LP marked in many ways the peak of her career, although she released many brilliant albums afterwards, including her latest album “I’m Not Bossy, I’m the Boss” from 2014.  But I Do Not Want… shows off all her strengths at once, her convictions, her inspiring resilience – she never gave in whatever they threw at her. It hurt, though, and there is a lot of pain visible and audible on the album, both in her lyrics and in her voice. Have we ever had a female singer with a more insistent and yet beautiful voice? I don’t think so. We will never forget her.

1973

1973 was the year many of us brought home the hand of George Harrison, the iconic cover of “Living in the Material World” (perhaps inspiring Madonna’s Material Girl a few years later?). Harrison had made the final break with The Beatles and created his own sound with lots of self-esteem. His Eastern philosophy-inspired anti-materialism flowered, creating memorable songs like “The Light that Has Lighted the World”, “Give me Love” and “Bangla desh”, while “Sue Me, Sue You Blues” showed there were som remnants of old bitter conflicts.

Summer Without Comment

It’s been a while. I know, and to make matters worse (at least for those of you who enjoy reading about the music I have chosen; that may not be all of you), this month’s playlist comes without many details. Still, I can promise you an exciting list of new albums, new singles – and a quite unknown album from the past that I hope you will lend your ear to: Mike Batt’s 1980 masterpiece «Waves». I have also included a few tracks from Led Zeppelin’s 1973 album «Houses of the Holy», celebrating its 50th anniversary.

I apologize for the lack of information. It has been a very busy three months, and I thought it would be better to publish the new music to you rather than delay it further, so you can refresh your playlist and liven up what remains of your holiday.

Petter’s Short List contains all music reviewed in this blog post. Click here to listen and/or subscribe. The playlist changes every month.

Petter’s Long List contains all music previously reviews from December 2021 and onwards. Click here to listen and/or subscribe. The playlist is extended every month.

You may also listen to the singles and albums reviewed by clicking on the covers.

Tracks reviewed before December 2021 are available in Petter’s Blog Archive, found here.

Brand New Life
Brandee Younger
The Deep End
Susanna Hoffs
Drop Cherries
Billie Marten
Golden Oldies – More Favourite Encores
Brodsky Quartet
I Don’t Know What Love Is Stacey Ryan
Love & Money
Katie Melua
Piano Day 2023
Steve Nieve
Plus Ultra
Chappaqua Wrestling
Racing the Storm
Emiliana Torrini & The Colorist Orchestra
The record
Boygenius
A River Running to Your Heart Fruit Bats
When Violent Hot Pitch Words Hurt
Polly Paulusma
Where You Wish You Were
Bill Laurance & Michael League

Waves
Mike Batt
Houses of the Holy
Led Zeppelin